Courtesy of Columbia Records By Arrangement with Sony Music Licensing Love Me as Though There Were No Tomorrow Written by Harold Adamson and Jimmy McHugh Performed by Nat King Cole (C) 1955 Used by Permission of EMI Entertainment World, Inc. Jingle, Jangle, Jingle Written by Joseph Lilley and Frank Loesser Performed by Kay Kyser Sony/ATV Harmony (ASCAP). Sawyer and Nathaniel Chapman Courtesy of Bethesda Softworks LLC It's a Sin to Tell a Lie Written by Billy Mayhew Performed by The Ink Spots (C) 1936 (Renewed) WB Music Corp. Sawyer Courtesy of APM Music Home on the Wastes Written by J.E. Sawyer Lyrics published by Bethesda Softworks LLC Performed by J.E. Under license from EMI Film & Television Music Cobwebs and Rainbows Music by Dick Stephen Walter Lyrics by J.E. Courtesy of Columbia Records By Arrangement with Sony Music Licensing Blue Moon Written by Richard Rodgers and Lorenz Hart Performed by Frank Sinatra Used by Permission of EMI Entertainment World, Inc. (BMI) All Rights Administered by Unichappell Music Inc, Mariposa Music, Inc. Under license from EMI Film & Television Music Big Iron Written and Performed by Marty Robbins (C) 1958 Unichappell Music Inc.

(ASCAP) Courtesy of Capitol Records, Inc. Radio New Vegas Ain't That a Kick in the Head? Written by Sammy Cahn and James Van Heusen Performed by Dean Martin Maraville Music Corp.

See the pages for the radio stations, or see the songs page for correct track information. Note: The track listings in the credits do not accurately reflect the playlist for those stations. Music supervision and clearance was done by Christopher S. ĭespite the game having numerous references to Elvis Presley, developer Jason Bergman revealed on the Bethesda forums that performance rights to any of Elvis' songs would be too costly. ĭeveloper Joshua Sawyer contrasted the music choice of Fallout 3 as having a 'goofy upbeatness' of the '30s and '40s, while New Vegas focused the crooner-style Rat-Pack-late '50s, as well as bluegrass and country music from the '40s to the '50s. Audio director Scott Lawlor was responsible for the inclusion of the ambient tracks by Mark Morgan from Fallout and Fallout 2. In addition to 80 minutes of new score, Bethesda and Obsidian got the rights to integrate the previous scores from earlier Fallout games. Regarding the period tracks: 'the score for New Vegas is basically portraying more of the psychological place that we want the player to be and the songs are giving them more of the adventure of the era.' The result is 'quite a twangy, a little Western, but a very twisted western sound.' In comparison to Fallout 3, Fallout: New Vegas went for a smaller scale using sound design synthesizers, The Lyris Quartet providing the strings and a few guitars. Inon Zur reprised his role for composing the orchestral score.

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